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About Kindermusik
Kindermusik International
Kindermusik International is in the business
of changing the world one child at a time. Kindermusik International is
the world's leading publisher of music and movement curricula for
parents and their children, ages newborn to 8 years old.
More than 5,000 licensed educators use the Kindermusik curricula in
more than 35 countries, reaching 1 million families.
Kindermusik International has more than 25 years of experience creating
curricula based on new and proven research in child development. The
award-winning books, CDs, games, and instruments nurture skills in the
whole child: cognitive, physical, social, emotional, and language.
History of Kindermusik
1968: The West Germany government commissions several doctoral
candidates to develop a music and movement curriculum for Kindergarten
aged children. Over half a million children take part in the program.
1974: The Kindermusik
publisher commissions two of the program developers to introduce it to
North America when they returned to the United States.
1984: Kindermusik is
introduced to Canada.
Today: Kindermusik
International is based in Greensboro, North Carolina. There are over
5000 educators in 35 countries teaching over 1 million families.
Kindermusik
Influences
Kindermusik is eclectic in its incorporation of
ideas from the leading approaches and philosophies that influence early
childhood, music and movement education. The following is a list of
some of the international influences that have helped make Kindermusik
the leading music and movement program.
Zoltan Kodaly (Hungary) - The child's voice is his
most precious instrument. It is vital that a child sing often,
joyfully, and unaccompanied to develop a tuneful voice.
Carl Orff (Germany) - Emphasizes the inclusion of
singing, movement, instrument playing and improvisation.
Emile Jaques Dalcroze (Switzerland): Encourages the
use of movement and building musicianship through hearing, thinking,
reading and feeling music emotionally which in turn enables children to
approach their instruments with new understanding and skill.
Shinichi Suzuki (Japan) - Music is learned by
listening first just as one's native language is learned. Developing a
musical ear is paramount to all musical development.
Maria Montessori (Italy) - A child learns best
through multi-sensory experiences. If a child can participate in a
concept with his touch, smell, hearing and sight, the concept will be
much more impacting and memorable.
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